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        Studio Associato Bernardo Secchi Paola Viganò 
          Architecture | Urbanism | Landscape  | 
       
      
        new crematorium in Kortrijk- international competition 
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          | client: | 
          city of Kortrijk | 
         
        
          | program: | 
          service | 
         
        
          | date: | 
          2005 | 
         
        
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          | consultant: | 
          Dirk Jaspaert (BAS), H.Q.E  experts   | 
         
        
          | team: | 
           studio  
            
             
              A.Carlesso, N.Dattomo, U.degli Uberti, T.Fait, S.Geeraert,  E.Giannotti, G.Lambrechts, C.Neidhardt, C.Nitti, S.Peluso, G.Pusch, K.Yoshida           
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          In the landscape  stays the crematorium: down enough to be inside the cultivated fields and lower  of the Ambassadorlaan; high enough to watch the slope from its interior and  from above. There is no separation between the architecture and the landscape,  between the ritual and the practice of the landscape: the crematorium is a part  of the course that describe a territory. It can be described starting from the functional  rationality of the ceremony but also and in a more significant way, through the  sequences of the experienced spaces. In this sequence the physical character of  the space changes together with materials and with the conditions of  enlightening: small and wide spaces; high and low ceilings are marked by  differences in materials and by a different presence of natural and artificial  light.   
          The prism of the crematorium is mute to the  exterior; it protects its interiority; it is a space of mental concentration  and meditation, an attempt to confront ourselves with the theme of a laic and  intense sacrality.  The most important consequence is a strong homogeneity of the  materials and of the treatment of the surfaces: a massive podium in concrete  made on site belonging to the same grammar of the walls and terraces of the  existing cemetery, and a protective skin of wooden lath running on three sides  of the crematorium. The North facade which remains transparent with large  windows on the atrium. The skin doubles, with the same texture, inside the  crematorium, solving the problems of privacy and giving unity to all the interior  spaces. The two aulas and the cremation area  are divided from the rest by concrete walls giving inertia to the construction and  reducing the energy consumption:. At the interior of the ceremony aula the  concrete will be painted in white. The roof is sustained by the steel pillars  painted in black; partially open to the public the roof is a mineral garden.  The  crematorium will age in a natural way: the concrete walls will be marked by the  rain and climate passage; the wooden skin protected by the roof will in any  case change, its color becoming more similar to a grey petrified forest, the  roof will be a masked surface in the tones of a grey green with some red  touches. The bricks also will age fading and darkling their colors when  outside. The difference between exterior and interior space will be simply  marked by a different process of ageing.  | 
         
        
       
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